Born in Colorado in 1972, Gibson is a member of the Mississippi Band of Choctaw Indians and is of Cherokee descent. His family moved a lot when he was a kid, and by the time he was 13 years old, Gibson had lived in several states, Germany, and South Korea. “I had a lot of exposure to other cultures at an early age,” he says. “That experience of placing myself in environments I didn’t come from built a kind of confidence, less fear of the unknown.”
This past year, Gibson made history as the first Indigenous artist to represent the United States in a solo exhibition at the Venice Biennale. Many people call this international art show “the Olympics of the art world.”
Gibson created each of the works featured here for his show in Venice. He began with research, reading some of the United States’ founding documents. He says, “I wanted to map out some moments in American history when there is this real promise of equality, liberty, and justice and then think about what those terms mean.”
In Gibson’s 2024 We Hold These Truths to Be Self-Evident, below, fringe forms a skirt around a bead-covered punching bag, a gentle contrast to the aggressive sport of boxing. Gibson uses text from the Declaration of Independence. To read the familiar words on the suspended sculpture, viewers must raise their eyes and move around the circular form.