Up in Smoke

Does this bold artwork pose a threat to desert life?

Judy Chicago (b. 1939), Smoke Sculpture, 2019. Donald Woodman/Artists Rights Society, New York.

How does Chicago describe the relationship between her art and the landscape?

Judy Chicago starts conversations with her art. Her explosive “smoke sculptures,” like the one shown above, are no exception. To make these works, Chicago uses pyrotechnics, or fireworks, to release brightly hued smoke outdoors.

In April 2021, Chicago planned to present a smoke sculpture during an art festival at the Living Desert Zoo and Gardens—a habitat for desert life near Palm Springs, California.But experts grew concerned that the project, titled Living Smoke: A Tribute to the Living Desert, posed a risk to wildlife, resulting in its cancellation.

Shannon Finney/Getty Images

Judy Chicago

Local scientists and an environmental writer, Ann Japenga, opposed Chicago’s project. “Huge volumes of colored smoke would obviously have a frightening and unpredictable effect,” Japenga said. Critics sent letters to the zoo, Chicago, and city officials suggesting that they relocate the event. As a result, the zoo canceled it.

This came as a surprise to Chicago, who says she worked for months to ensure that her work wouldn’t disturb local wildlife or their surroundings. She planned to use nontoxic smoke and a device that would minimize the launch’s loud noises.

Chicago argues that raising awareness about the environment is central to her smoke art. She considers it an alternative type of land art, which usually involves large-scale changes to landscapes. Instead of altering nature, Chicago aims to fuse “color, wind, and landscape in order to illuminate the beauty of the world.”

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Are Chicago’s smoke sculptures harmful to the plants and animals in nearby environments?

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