STANDARDS

Core Art Standards: VA1, VA2, VA8

CCSS: R2, R3, R4

Crafting Character

How do artists communicate using their visual voices?

How do artists use their visual voices to communicate?

The paintings featured here are all portraits. How are they similar? How are they different? The techniques the artists used in each example say a lot about the subjects but even more about the artists: who they are, what they care about, and the time and place in which they worked. How they convey these characteristics is where the artist’s visual voice emerges.

Two artists might create artworks with the same subjects but if the artists have clear visual voices, the results will look wildly different from one another.

The paintings on this page are all portraits. But each of the artists who painted them worked in their own visual style. The methods used can tell us a lot about the subjects and the artists. They show who the artists are, what they care about, and the time and place in which they worked.

The artists discussed in this story have clear visual voices. They all made portraits. But their paintings look very different from one another.

Hans Holbein the Younger (1497-1543), The Merchant Georg Gisze, 1532. Oil on oak panel. Bpk Bildagentur/Art Resource, NY.

What does Holbein draw attention to in the painting above? Why?

What the People Want

Hans Holbein the Younger was born into a family of artists in Germany at the end of the 15th century. He honed his technique, learning to paint extremely realistic portraits. This skill served him well in the era before photography.

In his 1532 The Merchant Georg Gisze, above, Holbein paints his subject with great precision and detail. He emphasizes the merchant’s fancy clothing and includes objects that reflect Gisze’s wealth, education, and social standing. Holbein knew that to be successful, he had to make paintings like this that flattered his subjects so they’d tell their wealthy and influential friends about him. This approach helped the artist achieve fame and fortune.

Hans Holbein the Younger was born in Germany in the late 15th century. He learned to paint extremely realistic portraits. This was before photography was invented. Many people appreciated Holbein’s portrait skills.

In his 1532 The Merchant Georg Gisze, above, Holbein paints his subject with great detail. He draws attention to the man’s fancy clothing and includes objects that show his wealth and education. Holbein flattered his subjects in his paintings. He wanted people to tell their wealthy friends about him. This helped him achieve fame and fortune.

Amedeo Modigliani (1884- 1920), Blue Eyes, 1917. Oil on canvas. The Philadelphia Museum of Art/Art Resource, NY.

What parts of Modigliani’s work define his visual voice?

When Weird Works

Italian artist Amedeo Modigliani (ah-me-DAY-oh moh-deel-YAH-nee), born in 1884, painted peculiar portraits. He exaggerates his subjects’ features, giving them long necks, narrow faces, drooping shoulders, and vacant eyes. In his 1917 Blue Eyes, above, Modigliani paints the subject in his unusual style, emphasizing her bright blue eyes.

Modigliani’s visual voice was unlike anything people had seen before. When the artist was alive, many critics said his paintings were strange and insignificant. Today historians marvel at his originality and call him one of the most important figurative painters of the 20th century.

Italian artist Amedeo Modigliani (ah-meh-DAY-oh moh-deel-YAH-nee), born in 1884, painted unusual portraits. He exaggerates his subjects’ features, giving them long necks, narrow faces, and blank eyes. How would you describe his 1917 painting Blue Eyes, above?

People hadn’t seen anything like this before. But today experts say Modigliani is one of the most important painters of the human figure from the 20th century.

Alice Neel (1900-1984), Kristen Walker, 1964. Oil on canvas. Courtesy of the Estate of Alice Neel/David Zwirner Gallery.

How does Neel emphasize her subject’s identity?

Impression of the Individual

“For me, people come first,” 20th-century American artist Alice Neel once explained. “I have tried to assert the dignity and eternal importance of the human being.” At a time when her peers were exploring abstraction, Neel made paintings of the inhabitants of New York City.

Neel uses energetic brushstrokes and bold outlines, capturing an impression. In works like her 1964 Kristen Walker, above, the artist deftly renders her subject’s body language and facial expression. As you look at Walker’s fashionable dress and hairstyle, ask yourself: What is Neel saying about the subject?

“For me, people come first,” 20th-century American artist Alice Neel once said. Neel painted portraits of people living in New York City, like in her 1964 Kristen Walker, above.

Neel uses energetic brushstrokes and bold outlines to capture her subjects. She skillfully paints the woman’s pose and facial expression. Notice the stylish dress and hairstyle. What is the artist saying about the subject?

Chuck Close (1940-2021), Georgia, 1996. ©Chuck Close/ Courtesy of Pace Gallery.

How does Close’s visual voice shine through in this portrait?

Inside the Box

Chuck Close first got attention in the 1960s for his large-scale realistic paintings. He divided photographs into a grid and then re-created the small squares on a massive scale.

As his style evolved, Close began rendering each square in the grid as a series of geometric shapes, like in his 1996 Georgia, above. Notice how some squares are bright and some are dark, creating highlights and shadows that show the contours of her face. Up close the image is abstract, but from a distance it unifies as a portrait. How would you describe Close’s visual voice?

Chuck Close first got attention in the 1960s for his large realistic paintings. He divided photographs into a grid. Then he re-created each small square at a larger size.

Later, Close painted each square in his grids as a series of geometric shapes. In his 1996 Georgia, above, he uses bright and dark squares to create highlights and shadows. Up close, the viewer sees mostly shapes and colors. But from a distance, a complete portrait appears. How would you describe Close’s visual voice?

Sketchbook Starter

Play with one of the techniques described here. Transform it to make it your own.

Play with one of the techniques described here. Transform it to make it your own.

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