15 Minutes of Fame

What is an artist’s role in helping others achieve—and keep—celebrity status?

David LaChapelle (b. 1963), Andy Warhol: Last Sitting, November 1987 New York. Photograph. ©David LaChapelle.

What does LaChapelle say about his subject in this photograph?

You’ve probably heard the expression “15 minutes of fame.” Did you know that it became popular thanks to artist Andy Warhol, shown above? In the 1960s, he supposedly declared that “in the future, everyone will be world-famous for 15 minutes.” And though many scholars now believe Warhol never actually said this, the phrase fits the Pop artist’s brand. 

The photo by David LaChapelle, above, is the last formal portrait of Warhol. LaChapelle moved to New York City when he was a teen, and, after a chance meeting, Warhol became his mentor. When LaChapelle took this luminous portrait of Warhol in 1987, he never imagined the dazzling work would be crucial to preserving the memory of this legendary artist, who was so interested in legacy. Artists, like Warhol and LaChapelle, have the power to forever preserve celebrities in time and sometimes even endow previously unknown people with a lasting fame. 

Fame facsinated Andy Warhol. Some people think that in the 1960s, Warhol said, “in the future, everyone will be world-famous for 15 minutes.” Today, many experts don’t think Warhol actually said this. But the message fits the artist’s ideas. 

American photographer David LaChapelle took this dazzling photo of Warhol, above, in 1986. It’s the last formal portrait of Warhol before he died. Since then, it has helped people remember him.

Artists have the power to preserve celebrities so that they remain famous. And sometimes, a portrait can be the reason someone becomes famous.

John Singer Sargent (1856-1925), Madame X, 1883-1884. Oil on canvas. Metropolitan Museum of Art/Art Resource, NY.

How did this portrait make the subject famous?

A Notorious Scandal

Today the woman in John Singer Sargent’s 1883-84 painting Madame X, above, is world-famous. But this wasn’t always the case. Sargent spent most of his youth in Europe. When he first unveiled the life-sized portrait featuring a daring, American-born Parisian named Madame Pierre Gautreau (pee-EHR goh-TROH), the French deemed it outrageous. The original version showed the right strap of the woman’s dress slipping from her shoulder, causing a scandal that ruined her reputation and led Sargent to leave France. The artist later repainted the strap on Gautreau’s shoulder and hid the artwork until 1916, when he sold it to the Metropolitan Museum of Art in New York City. Thanks to the scandal, Madame Gautreau and her portrait became famous forever.

The woman in the portrait above became famous because of this painting! American artist John Singer Sargent painted the life-sized portrait, called Madame X. He shows a French woman named Madame Pierre Gautreau (pee-EHR goh-TROH). Sargent originally painted the right strap of Gautreau’s dress slipping off her shoulder. This image shocked the French and caused a huge scandal.

Sargent left France, and he later repainted the strap on Gautreau’s shoulder. But he hid the work from the public. In 1916, he sold it to the Metropolitan Museum of Art in New York City. The story behind the painting made Madame Gautreau and her portrait famous forever.

Ruth Orkin (1921-1985), Einstein at Princeton Luncheon, NJ, 1953. Photograph. ©Ruth Orkin. Photo courtesy of the Ruth Orkin Photo Archive/orkinphoto.com/@ruthorkinphoto. Artist Rights Society (ARS), New York.

What does Orkin’s photo reveal about Einstein?

On a Personal Note

Albert Einstein is considered one of the most distinguished physicists of all time. American photographer Ruth Orkin humanizes the scientist in her 1953 Einstein at Princeton Luncheon, above. She captures Einstein’s laughter and composes an image that seems to put viewers at the table with him. With this photo, Orkin gives viewers a peek at a little-known side of a notable man, preserving his personality, rather than just his academic achievements.

Albert Einstein is considered one of the most accomplished scientists of all time. That’s what he is most known for. But American photographer Ruth Orkin focuses on Einstein’s personality in her 1953 portrait Einstein at Princeton Luncheon, above. She photographs Einstein looking joyful. Instead of drawing attention to his work, she shows him laughing. Orkin makes viewers feel like they’re at the table with the famous scientist. 

Elizabeth Peyton (b. 1965), Prince Harry and Prince William, 2000. Lithograph. The Museum of Modern Art/Licensed by SCALA/Art Resource, NY.

Why does Peyton crop the scene around her subjects?

Familiar Faces

Elizabeth Peyton is an American contemporary artist. Her portraits often depict celebrities in imagined scenes that feel familiar—and real—to viewers. She intentionally selects subjects whose images are reproduced often in popular culture. In her 2000 Prince Harry and Prince William, above, Peyton tightly crops a scene showing the British royals as teenagers. They tilt their heads toward one another in a private moment. It’s likely that this exchange never happened and that Peyton invented the scene. But it’s easy enough to believe it could have happened, and therefore it feels real. 

Peyton says portraiture is about celebrating others. In her words, “Making art is making something live forever.” How does each of the artists whose work is shown here make his or her subjects immortal?

Elizabeth Peyton is an American artist. She likes to paint celebrities in scenes that didn’t really happen but feel familiar to viewers. 

Peyton painted Prince Harry and Prince William, above, in 2000. She shows the British royal brothers as teenagers. They tilt their heads toward one another, as if to share a secret. Peyton crops the scene so that the viewer focuses on the quiet moment. This exact scene may not have happened. But it’s easy to believe it could have, which makes it feel real. 

Peyton says portraits are about celebrating people. “Making art is making something live forever,” she says. 

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