Early in his career, Wright apprenticed, or studied, under Louis Sullivan, who was famous for his skyscrapers. Though Wright eventually broke with Sullivan and pursued a different style of design, he remained influenced by Sullivan’s philosophy that form should follow function. In other words, the design of a structure should be influenced by its purpose.
The Guggenheim Museum—which Wright began work on in 1943 and which opened six months after his death in 1959—is a clear example of this idea. Previously, museums consisted of a series of boxlike rooms, with no real connection between the art and the space in which it hung. But Wright’s circular design for the Guggenheim, with its coiled ramp that takes you farther and farther into the exhibition on display, creates, as Wright described it, “an uninterrupted symphony such as never existed in the world of art before.”
Wright’s style evolved—but the surrounding space and the building’s purpose always served as his inspiration.