Painting Private Lives

Elizabeth Peyton uses color to capture the quiet moments in life

Elizabeth Peyton, Nick Reading Moby Dick, 2003. Oil on MDF, 12x15in. (30.5x38.1cm). The Museum of Contemporary Art, Los Angeles. Partial and promised gift of Mandy and Cliff Einstein.

How does Peyton use color to highlight the focal point in this painting?

Like Matisse, contemporary American painter Elizabeth Peyton paints her friends. Her intimate works draw viewers in, inviting them to step into her jewel-toned world. In works like Nick Reading Moby Dick, above, Peyton uses vibrant colors to illustrate intimate scenes from daily life.

Born in Connecticut, Peyton began making portraits when she was a child. She studied art in college and now lives and works in New York and Berlin. The artist got her start by making whimsical paintings of famous figures like royalty and rock stars. Eventually her focus shifted. “It wasn’t conscious,” Peyton explains. “I was beginning to get a lot more interested in the things that were right in front of me and the people I knew.”

Patrick McMullan/AP Images (Elizabeth Peyton)

Peyton uses a wash technique, adding layers of thin, almost translucent paint. Her loose brushstrokes create abstracted backgrounds, like the trees in this work. Then she adds more-specific details to the figure in the foreground, highlighting the models’ most recognizable characteristics. In this painting, Peyton shows the figure’s red lips and blue eyes with great detail.

The artist uses rich, vivid colors to balance her compositions. In Nick Reading Moby Dick, the figure’s saturated red jacket contrasts with the dark background. The complementary green trees in the background radiate from behind the figure’s dark hair, drawing the viewer’s eye to the focal point, his face. 

Peyton strives to capture life’s simple moments, such as a quiet afternoon with  a book. “I think little things are more powerful because they’re more honest,  so people feel them more strongly,” Peyton says. The resulting paintings often give viewers a surprisingly emotional glimpse  of both the subject and the artist.

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