Glenstone's Guardian

Steven O'Banion talks about caring for large outdoor sculptures

Felix Gonzalez-Torres, “Untitled,” 1992-1995. Medium varies with installation, Water; Two parts: each diameter 12 ft or 24 ft; Overall dimensions, 24 x 12 ft or 48 x 24 ft, height variable with installation, ideal visible height 14 to 16 in. ©The Felix Gonzalez-Torres Foundation, Courtesy of Andrea Rosen Gallery, New York. Photo: Jerry Thompson, courtesy of Glenstone.

This sculpture by Felix Gonzalez-Torres is made of porous stone. O’Banion must give it the proper care, or it will crack.

SCHOLASTIC ART: What is your job?

Steven O’Banion: I am the director of conservation at Glenstone, a museum for modern and contemporary art in Maryland. A lot of what I do is called “preventative conservation,” which means caring for artworks regularly to prevent damage or deterioration. 

Charles Ray, Father Figure, 2007. Stainless steel and acrylic polyurethane, 93.75 x137.5x71.75 in. (238.2x348.6 x182.2 cm.) ©Charles Ray. Photo: Paul Tukey, courtesy of Glenstone.

Steven O’Banion cleans a sculpture by Charles Ray.

SA: How do you care for the works?

SO: Each sculpture requires different care because they are all made from different materials. For example, one of the works in our collection, by Felix Gonzalez-Torres (above), is made of porous stone. In the winter, water can get into the gaps in the stone and freeze, which could crack the sculpture. So I drain and cover the work in the winter to protect it. But I would treat a metal sculpture very differently.

SA: Do you work alone?

SO: Sometimes the sculptures are too big to handle alone. I may need to be raised in a lift to care for the top of a sculpture, so I’ll work with a lift operator. If the sculpture needs to be repainted, I’ll work with professional painters—the kind of painters who paint cars—because they do that work every day and are highly skilled in it. Sometimes I just need extra hands to clean a sculpture in a timely manner.

SA: What skills do you need to succeed as a sculpture conservator?

SO: I need to have a strong understanding of science, because I must understand the materials I am working with—how they degrade, and how to slow that degradation process. I also have to stay organized. Some sculptures need regular care, such as being washed once a month. Other sculptures need care only once a year. So I carefully document the care I give to maintain the correct schedule. 

SA: What do you love about your job?

SO: I love working with living artists. Talking about their work with them—often in front of their artwork—is really thrilling!

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